There are a ton of those to try, and you can dig into each to see exactly what effects are being applied and modify them to your liking. Off the bat, I didn’t notice any latency when running my guitar live through different effects and amp presets. I hooked up my guitar with an IK iRig HD 2 and was immediately impressed with the huge variety of different tonal options available. In addition to the wide variety of built-in instruments and samples, you can plug instruments directly into the iPad and record them. You can also use M1 and M2 iPads with an external display and Stage Manager multitasking, but a big draw for these apps is portability, something you can’t take as much advantage of when hooked up to a monitor. (Even using most DAWs on larger laptop screens can feel pretty cramped.) If you’re serious about using Logic Pro as a significant part of your workflow, you’ll want the biggest iPad you can get.
As anyone who has worked with a DAW before will know, there are a lot of elements to manipulate and the screen can get very crowded quite quickly. That said, there’s no doubt this app is best with the largest display possible.
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In both cases, the app was extremely responsive as I blasted through demos that showed me how to create beats with the step sequencer, play and tweak the huge variety of software instruments included, build tunes with Live Loops and more. I tried it on a current-gen 12.9-inch iPad Pro with an M2 chip as well as an older 11-inch iPad Pro from 2020 with the A12Z chip. It’ll work on any iPad with an A12 Bionic or newer processor, which covers a lot of devices: Pros from 2018 onward, Airs from 2019 or newer and even the basic iPad, starting with the 2020 release. Dealing with a big sample library is also a bit weird, but what I found that works best is to look for the samples on Finder or on something like the Splice app and drag-and-drop them directly into the session/sampler I'm using.Of the two apps, Logic Pro requires less horsepower. I'm not the biggest fan of Piano Roll/Midi editing, since I feel is more geared towards recording rather than building with a mouse and keyboard like some of the competition (e.g. I expected to get an auto-tune bounce of the vocals but I was greatly surprised when I found that not only were the alternative versions of the phrases included (both of them do a lot of vocal comping) but the pitch correction was also done natively, which means you could explore the raw samples. Both of this artists are known for complex vocal arrangements and, specially heavy use of pitch correction. Audio manipulation was another highlight. Logic pro is a good value at $200, but it's specially noticeable since you have to compare it to the more-expensive "Suite" versions of the other DAWs that cost at least x4 as much. Neither of this projects have plugins, nor do they need them. Both of this show Apple's influence in the industry, since no one else could get project files directly from such high profile artists, as well as give you an idea of how complete is the toolset in Logic. It starts with the project file for Ocean Eyes by which lets you get an insight into Finneas mind and impressive vocal arrangements, followed by the Spatial Audio project for Montero by which serves as a mind blowing tech demo for the new mixing features as well as an example of a very intricate project running without dropping a sweat thanks to the M1 chip optimization. One of the first things I do when trying out music software is to look for presets/demo projects that are included with them and Apple hit the home run with this one.
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